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Format

Paperback
368 pages

Author

C.J. Skuse
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Publisher

Chicken House Ltd

Suitable for Ages

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Publication date

7th March 2011

ISBN

9781906427528

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C.J. Skuse

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Julia Eccleshare's comment:

Just how far will Jody’s obsession with rock star Jackson Gatlin take her? She’ll stop at nothing to reach him so, when she finds herself backstage at his concert, she kidnaps him so that she can have him all to herself. Life should now be perfect but Jody soon finds that Jackson Gaitlin doesn’t play exactly by her rules. A rip roaring story about the perils of fame and the reality of all that glamour.

Who is Julia Eccleshare ?

Synopsis

Jody loves Jackson Gatlin. At his only UK rock concert, she's right at the front. But when she's caught in the crush and carried back stage she has more than concussion to contend with. Throw in a menacing manager, a super-wired super-star, and a curly-wurly, and she finds herself taking home more than just a poster. It's the accidental kidnapping of the decade. But what happens if you've a rock-god in your garage who doesn't want to leave Jody's stuck between a rock-idol and a hard place! From the pen of C.J. Skuse, author of 2010's super cool debut Pretty Bad Things, comes a tale of rock star obsession gone nuts.

About The Author

C.J. Skuse was born in Weston-super-Mare in 1980 and grew up living in pubs and hotels. She began writing her first novel aged seventeen. Pretty Bad Things grew out of two short stories written for her degree in Creative Writing, which were later conjoined to form her extended piece for her MA in Writing for Young People, both at Bath Spa University.

Q & A with C. J. Skuse

Was writing stories a favourite pastime as you were growing up?
Making up stories and acting out pretend scenarios were more my bag, rather than writing stories down as such. One such story that sticks out is this thing called ‘The 20 Children Game’ which I would play with my cousin when we were about eight or nine. It’s fairly self-explanatory, but we used to draw maps of the huge pretend mansions we lived in with our twenty kids apiece, and go through the Argos catalogue, making lists of all the stuff we were going to order, because we were so rich we could order whatever we liked. Bliss! The serious creative writing part came later during the teenage years when I was all black hair-dye and self-loathing.

How did you go about choosing the Creative Writing course?
I started writing my first novel when I was seventeen and for about eleven years I was sending it back and forth to agents, because I was told you had to have an agent to get anywhere. Fifty agent rejections later, I realised that perhaps it wasn’t just about finding the right agent that would get me published, it was about improving my writing. It was then a case of Googling degree courses in Writing for Children and that took me to Bath Spa University.

What were the best bits about your course and the worst?
Being taught by writers like Julia Green, Steve Voake and Nicola Davies was one big best bit. I learnt so much from them. And just being around likeminded people who wanted to be writers too was great. I also loved the different subject modules I could choose from like ‘Science Fiction and Fantasy Writing’ and ‘Nature Writing,’ which allowed me to flex my muscles in brand new areas of creativity that I wouldn’t have tried otherwise. Worst bits? I honestly don’t think there are any. I truly loved every second of it because it was exactly where I wanted to be.

What inspired you to write Pretty Bad Things?
Pretty Bad Things is the result of conjoining two short stories I wrote during my BA in Creative Writing. One of the stories was about six-year-old twins who ran away from home (ala Hansel and Gretel) and the other was about a teenage Bonnie and Clyde caught up in a motel room shoot out. Neither story had a definitive beginning nor ending, so for my MA in Writing for Young People, I put the two together so that one grew up to be the other.

Do you have a routine for your writing?
Not really, which is probably a really bad thing to admit! Maybe I would be more prolific if I was one of those types who gets up at 6:00am, takes the dog out and then writes for seven hours straight with a black coffee in between, but I would never want to make a chore out of it. If I’m not enjoying it, I stop, simple as that. I couldn’t sit there, churning it out hour after hour. I try and do a couple of hours when I get home every night and at weekends, even if it’s just character studies but I don’t force it. If I have a deadline, I ensure I work to it but if I’m not in the mood, I don’t. I also have a terrible attention span, and mid way through a sentence I have been known to wander over to Facebook or watch a bit of Glee. Just can’t help it!

What published books do you think your readers would also enjoy?
Anything by Kevin Brooks, most namely Martyn Pig. Doing It by Melvyn Burgess, Henry Tumour by Anthony McGowan and probably my all-time favourite The Madolescents by Chrissie Glazebrook, which I never hear mentioned anywhere but it’s just sublime writing about teenagers. They might enjoy comic series like Fables or Young Liars too and there’s this brilliant one-shot by Grant Morrison called Kill Your Boyfriend which did originally inspire PBT so they might want like that too.

Comparisons have been made to Catcher in the Rye. Do you think readers of JD Salinger’s cult novel will also enjoy Pretty Bad Things?
I guess if you’re an angsty teen who just doesn’t understand the world, or you’re someone who is permanently perplexed by societal expectations and authority figures, you’ll like both books and you’ll totally sympathise with the characters. I don’t think PBT really compares to Catcher though. It’s such an impossible act to follow. J.D Salinger stands head and shoulders above the rest and was a far more erudite and talented writer than I could ever hope to be. A true one-off I think.

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